Nam June Paik Video Innovations :: Essays Papers

Nam June Paik Video Innovations Nam June Paik was born in Seoul, Korea on July 20, 1932. He was the fifth and youngest child of a textile merchant. In 1947, at the age of 14, he studied piano and composition with two of Koreas foremost composers. The family move to Tokyo, Japan in 1950 to avoid the havoc of the Korean War. Paik studied music, history, imposture history, and philosophy at the University of Tokyo from 1953 to 1956. He did his graduate dissertation on Schoenberg. In 1956, he moved to Germany to pursue his interest in avant-garde music. He studied music history under Thrasybulos Georgiades at the University of Munich and composition under Wolfgang Fortner at the Hochschule fr Musik. He also attended classes under Karlheinz Stockhausen, Luigi Nono, David Tudor, and tooshie Cage. Paik lived in Cologne for the next five years and then returned to Japan for a short time to conduct experiments with electromagnets and color TV sets. In 1964, Paik moved to N ew York and still resides there today.While he lived in Korea, Paik had become familiar with the work of Schoenberg. Paik was interested in Schoenberg above all others because of his radical compositions. They reflected the sociable atmosphere of Seoul at the time. In 1947, Paik had only one piece of Schoenbergs work. It took Paik two years to convince a record shop owner to let him listen to what was probably the only Schoenberg record in Korea. Paik had only two compositions by which to judge his guru. Then one day in Japan, in 1951, Paik heard a third piece on NHK Radio. Another of Paiks great influences was John Cage, whom he met in Germany. Meeting Cage, a student of Schoenberg, was a turning point in Paiks life. Paiks piece Zen for Film was definitely influenced by Cages 4 33, the speechless piece. Cage was devoted to sounds, but Paik was devoted to objects, yet Cages influence is evident in all of Paiks work.Joseph Beuys, like Cage, played an beta role in influencing the direction of Paiks video work. Paiks portraits of Beuys constitute a significant body of work.

Invisible Man - A Black Man in a White World :: Ralph Ellison, Invisible Man

Ralph Ellisons The Invisible Man shows the conflict or struggle of one Black man struggling in a white culture. The most important section of this novel is that in, which the storyteller joins the Brotherhood, an organization designed to improve the condition under which his race is at the time. The vote counter works hard for society.The narrator works hard for being rewarded society and his efforts named the representative of Harlem district. One of the first people he meets is Brother Tarp, a warhorse worker in the Harlem district, who gives the narrator the kitchen range link he broke nineteen years ago, while freeing himself from being imprisoned. Brother Tarps imprisonment was for rest up to a white man. Therefore, he was sent to jail. Imprisonment made brother Tarp similar to invisible because, he lost part of his identity. However, he regained it by escaping the prison and giving himself a new name.The chain plays an interesting part in the entire play. The chain symboli zes the narrators experience in college, where he was restricted to living up to Dr. Bredsoes rules. He feels that he too is trying to be an individual free of others peoples control. The chain functions as a link in several ways, between the two men, between the past and the present, as a symbol of opression, and eventually as a weapon for the Invisible Man as he uses it to fight in a street riot. It reminds the narrator significally of his grandfather, a man repressed by the brass who went through his entire life trying to obey but at the same time hating all the men in power.At the end of the novel, the narrator continues to fight for his community. He feels betrayed and now he wants to destroy The Brotherhood. His plan does not work out. He tells the people of Harlem to go on a riot. He falls down though, he gets into isolation. While in isolation he decides that he wants to go back to the society. He grows to understand what the brotherhood and what Mr. Bedsoe (mentor) could n ever understood, that identity doesnt exclude being part of a group. He learned to be an individual for himself. I personally, enjoyed reading The Invisible Man by Ralph Ellison. The sacred scripture I read was nonfiction, it was published in _______, copyright date _______.

Mystery, Irony, and Imagery in The Cask of Amontillado Essay -- Edgar

Missing items from Works CitedMystery, Irony, and Imagery in The Cask of Amontillado The Cask of Amontillado is one of Edgar Allan Poes greatest stories. In this story Poe introduces twain central characters and unfolds a tale of horror and perversion. Montresor, the narrator, and Fortunato, one of Montresors friends, are doomed to the fate of their actions and will pay the price for their pride and jealousy. One pays the price with his sustenance and the other pays the price with living with regret for the rest of his life. Poe uses mystery, irony, and imagery to create a horrifying, deceptive, and perverse story. Hoping to obtain revenge, Montresor, the narrator, lures Fortunato, one of his friends, into the depths of his catacombs to be murdered. Montresor says, The thousand injuries of Fortunato I had borne as best I could, but when he ventured upon insult I vowed revenge(149). This is the first line in the story, and this is why Montresor seeks revenge. There is no explanation of the insults that Montresor received, so the reader may infer that Montresor is just lying. The insults that were received could possibly be just outdoing in the business arena. Montresor might be using that excuse for his appetency to kill Fortunato, because he may be killing Fortunato out of jealousy. Montresor is likely telling this story to a family member, friend, or his doctor while lying on his deathbed. Montresor says, your health is precious. You are rich, respected, admired, beloved you are happy, as once I was. You are a man to be missed. For me it is no matter.(150). Montresor just admitted that he knows Fortunato is remedy than he. Montresor may have been under the influence of jealousy. Redd 4 There are different theories to ... ...ows the reader to interpret the end of the story by himself, which brings imagination into the picture. wherefore does Montresor hesitate in putting up the last stone? This makes the reader wonder if Montresor was beginning to feel gu ilty. At the end of the story Montresor and Fortunato talk a little. Montresor called aloud, Fortunato No answer came so Montresor states, I thrust a torch through the remaining aperture and let it fall within. There came forth only a jingling of the bells. My heart grew sick it was the dampness of the catacombs that made it so(153). This statement leads the reader to believe that Montresor may have had a moment when his conscience begins to bootlick up on him. He quickly states that it is the dampness of the catacombs that makes his heart sick. Work CitedPoe, Allan, Edgar. The Cask of Amontillado (Mass Market Paperbacks, 1990)